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The Roys are heading to Norway.
The brand new season of HBO’s “Succession” will discover Alexander Skarsgård’s slick tech mogul Lukas Matsson luring the Roy dynasty to the Norwegian mountains.
Overseeing the Norway shoot is producer Scott Ferguson (“The Evening Of,” “Brokeback Mountain”), who confirms that manufacturing and stars together with Skarsgård, Nicholas Braun and Sarah Snook have been taking pictures the brand new season throughout quite a few areas in western Norway, such because the Atlantic Ocean Street (lately seen within the newest Bond movie “No Time to Die”), the Romsdalen Gondola and the luxurious Juvet Panorama Resort (utilized in sci-fi thriller “Ex Machina”), situated close to fjord Geiranger, a UNESCO world heritage website.
Ferguson reveals that the upcoming season will delve additional into the world of Matsson, who was first launched in Season 3. Because the sale of media conglomerate Waystar Royco to Matsson strikes ever nearer — and the Roys query what their future will seem like — the household is invited to go to the GoJo founder’s homeland.
“Final season we had an vital new character and a brand new storyline, a possible merger with Alexander Skarsgård’s tech firm,” Ferguson tells Selection on location in Norway.
“We have been actually excited when Alexander got here onboard — he’s an exquisite actor. And from the start, [showrunner Jesse Armstrong’s] thought was that the tech firm was going to be led by somebody from a Scandinavian nation. Within the author’s room, round February, Jesse had an thought for an episode they needed to be in [Matsson’s] a part of the world.”
Ferguson is likely one of the trade’s most skilled producers, having filmed everywhere in the globe. Although he’s been working in tv lately, his earlier movie credit embody collaborations with administrators reminiscent of Jim Jarmusch, Steven Zaillian, James Mangold, Milos Forman, Sydney Pollack and Ang Lee. Ferguson has labored on the Emmy-winning “Succession” during the last 4 years.
He confirms dramatic scenes set towards equally dramatic landscapes in Norway lie forward for the brand new season, which can air subsequent yr.
“After we noticed photos of the exceptional structure and setting of Juvet we acquired actually excited,” says Ferguson. “Norway is an excellent, pure setting. It instantly appeared like an ideal place for a household gathering within the sequence. We studied totally different international locations, however we realized Norway simply has this distinctive panorama — like nowhere else on the planet.”
The manufacturing crew acquired excited concerning the highly effective mixture of alluring structure and pure components inside the panorama.
“Mark and I travelled over in Might, had a glance within the area round Åndalsnes, seemed on the gondola with the restaurant on high of the mountains. Additionally they had an airport within the space which we have been on the lookout for within the story. Norway had the whole lot we have been on the lookout for — in simply completely beautiful settings. Then we had to determine how one can do the taking pictures in these areas, virtually. We acquired nice assist from HBO, and we’ve spent the final a number of months determining a plan after which placing it into place.”
Ferguson explains he’s concerned within the writers’ room from the earliest improvement phases so as to get a way of the flavour of the deliberate storylines.
“I discuss with them after they’ve spent [some time] within the author’s room in order that I get a way of the place they’re going. Then I’ll come over to London a few instances and spend a while with them in the course of the course of improvement, and begin to hear what’s on their minds and what sorts of areas we’re on the lookout for — what the storylines are.”
Ferguson, who labored with Lee on “Brokeback Mountain,” additionally observes the advantages of working with native crews on the bottom. “Persons are good at filming the place they reside, and I at all times wish to make the most of that nice native experience,” he says. “That’s how we approached Norway and the opposite distant journey episodes on ‘Succession.’”
Waiting for Season 4, the producer guarantees that “what audiences like about ‘Succession,’ they’re going to get extra of.”
“This begins with HBO’s assist, backing us and creating an atmosphere the place Jesse and the writing crew have the flexibility to take dangers creatively,” Ferguson explains. “We use the manufacturing aspect to assist them, everyone seems to be given freedom to do their greatest work. And I believe that’s a part of why the present works on so many ranges — the writing, the directing, the crew. Nobody is afraid to attempt one thing they haven’t tried earlier than.”
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